{"id":1078,"date":"2009-05-29T00:00:54","date_gmt":"2009-05-29T05:00:54","guid":{"rendered":"http:\/\/www.coreyhulse.com\/?p=1078"},"modified":"2011-02-01T20:03:35","modified_gmt":"2011-02-02T01:03:35","slug":"smash-hits-reader-poll-against-actual-setlist","status":"publish","type":"post","link":"https:\/\/www.coreyhulse.com\/corey\/2009\/05\/29\/smash-hits-reader-poll-against-actual-setlist\/","title":{"rendered":"“smash hits” reader poll against actual setlist"},"content":{"rendered":"

This post was originally published on Awesomeopolis.com on May 29, 2009.<\/p>\n

\n

In our continuing coverage of the new “Guitar Hero: Smash Hits” game, we present to you the final results of our reader poll.<\/p>\n

We closed our reader poll today on what songs you, the reader, think should have made it it into the 48-song setlist for “Guitar Hero: Smash Hits”.<\/p>\n

We got 30 responses, and while the results of this poll are in no way scientific, it gives a general sense of the songs our readers wanted against the songs actually announced in the game.<\/p>\n

And for the most part, the “want” list of the people doesn’t match up against the songs actually included in the game, but out of the top 80 songs selected by our readers, over 40% of those songs make the cut into the game.<\/p>\n

Here’s a snippet of the top 11 songs from our poll.<\/p>\n\n\n\n\n
#<\/strong><\/td>\nSong<\/strong><\/td>\n%<\/strong><\/td>\nGraph<\/strong><\/td>\n<\/tr>\n
1<\/td>\nGuns N’ Roses – “Sweet Child O’ Mine” [II]<\/td>\n47%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
1<\/td>\nThe Rolling Stones – “Paint It Black” [III]<\/td>\n47%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
3<\/td>\nLynyrd Skynyrd – “Free Bird”<\/strong> [II]<\/td>\n43%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
3<\/td>\nQueen – “Killer Queen”<\/strong> [I]<\/td>\n43%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nBoston – “More Than a Feeling”<\/strong> [I]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nMetallica – “One” [III]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nThe Killers – “When You Were Young” [III]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nZZ Top – “La Grange” [III]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
9<\/td>\nAlice Cooper – “School’s Out” [III]<\/td>\n37%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
9<\/td>\nGuns N’ Roses – “Welcome to the Jungle” [III]<\/td>\n37%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
9<\/td>\nWeezer – “My Name Is Jonas” [III]<\/td>\n37%<\/strong><\/td>\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Songs in blue and bold are in the game. Songs in red are not. You’ll notice that only three songs in here cracked the top 11, a fairly poor showing in my opinion.<\/p>\n

See the full chart and some more stats after the jump.<\/p>\n

<\/p>\n

So, if we line up the songs by approval rating, from “Sweet Child O’ Mine” which got 47%, down to the myriad of songs that got 0% of the vote, you can rank them 1 to 222. You’ll notice that the Aerosmith song “Back In The Saddle” isn’t on here, and that’s because when we created the poll the news from Activision was that songs from Guitar Hero: Aerosmith weren’t going to be included.<\/p>\n

Overall, most of the songs that were selected from the game are indeed weighted towards the top of this list, but I for one am disappointed in the final setlist.<\/p>\n

Here’s the full list.<\/p>\n\n\n\n\n
#<\/strong><\/td>\nSong<\/strong><\/td>\n%<\/strong><\/td>\nGraph<\/strong><\/td>\n<\/tr>\n
1<\/td>\nGuns N’ Roses – “Sweet Child O’ Mine” [II]<\/td>\n47%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
1<\/td>\nThe Rolling Stones – “Paint It Black” [III]<\/td>\n47%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
3<\/td>\nLynyrd Skynyrd – “Free Bird”<\/strong> [II]<\/td>\n43%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
3<\/td>\nQueen – “Killer Queen”<\/strong> [I]<\/td>\n43%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nBoston – “More Than a Feeling”<\/strong> [I]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nMetallica – “One” [III]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nThe Killers – “When You Were Young” [III]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
5<\/td>\nZZ Top – “La Grange” [III]<\/td>\n40%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
9<\/td>\nAlice Cooper – “School’s Out” [III]<\/td>\n37%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
9<\/td>\nGuns N’ Roses – “Welcome to the Jungle” [III]<\/td>\n37%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
9<\/td>\nWeezer – “My Name Is Jonas” [III]<\/td>\n37%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
12<\/td>\nKansas – “Carry On Wayward Son”<\/strong> [II]<\/td>\n33%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
12<\/td>\nNirvana – “Heart-Shaped Box”<\/strong> [II]<\/td>\n33%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
12<\/td>\nPearl Jam – “Even Flow” [III]<\/td>\n33%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
12<\/td>\nThe Smashing Pumpkins – “Cherub Rock” [III]<\/td>\n33%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
16<\/td>\nBeastie Boys – “Sabotage” [III]<\/td>\n30%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
16<\/td>\nBlack Sabbath – “Iron Man” [I]<\/td>\n30%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
16<\/td>\nFoo Fighters – “Monkey Wrench”<\/strong> [II]<\/td>\n30%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
16<\/td>\nRage Against the Machine – “Bulls on Parade” [III]<\/td>\n30%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
16<\/td>\nThe Police – “Message in a Bottle”<\/strong> [II]<\/td>\n30%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
16<\/td>\nZZ Top – “Sharp Dressed Man” [I]<\/td>\n30%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nAFI – “Miss Murder”<\/strong> [III]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nBlack Sabbath – “Paranoid” [III]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nFoghat – “Slow Ride” [III]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nFranz Ferdinand – “Take Me Out”<\/strong> [I]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nIron Maiden – The Number of the Beast” [III]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nKiss – “Rock and Roll All Nite”<\/strong> [III]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nSum 41 – “Fat Lip” [I]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nThe Police – “Synchronicity II” [80s]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nThe Ramones – “I Wanna Be Sedated” [I]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
22<\/td>\nVan Halen – “You Really Got Me” [II]<\/td>\n27%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nAsia – “Heat of the Moment” [80s]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nBlack Sabbath – “War Pigs” [II]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nDavid Bowie – “Ziggy Stardust” [I]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nDio – “Holy Diver” [80s]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nHeart – “Crazy on You” [II]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nJoan Jett and the Blackhearts – “I Love Rock and Roll”<\/strong> [I]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nJudas Priest – “You Got Another Thing Comin'” [I]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nMuse – “Knights of Cydonia” [III]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nOzzy Osbourne – “Bark at the Moon”<\/strong> [I]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nPat Benatar – “Hit Me With Your Best Shot”<\/strong> [III]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nRage Against the Machine – “Killing in the Name”<\/strong> [II]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nRush – “YYZ”<\/strong> [II]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
32<\/td>\nThe Who – The Seeker” [III]<\/td>\n23%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\n.38 Special – “Hold on Loosely” [80s]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nCream – “Sunshine of Your Love” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nDeep Purple – “Smoke on the Water”<\/strong> [I]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nM\u00f6tley Cr\u00fce – “Shout at the Devil”<\/strong> [II]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nPantera – “Cowboys from Hell” (Live)<\/strong> [I]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nPoison – “Talk Dirty to Me” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nRed Hot Chili Peppers – “Higher Ground” [I]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nRed Hot Chili Peppers – “Suck My Kiss” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nSantana – “Black Magic Woman” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nScorpions – “Rock You Like a Hurricane” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nSkid Row – “18 and Life” [80s]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nSocial Distortion – “Story of My Life” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nSpinal Tap – “Tonight I’m Gonna Rock You Tonight” [II]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nStone Temple Pilots – “Trippin\u2019 on a Hole in a Paper Heart”<\/strong> [II]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nThe Go-Go’s – “We Got the Beat” [80s]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nThe Sex Pistols – “Anarchy in the U.K.” [III]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nTwisted Sister – “I Wanna Rock”<\/strong> [80s]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
45<\/td>\nWolfmother – “Woman”<\/strong> [II]<\/td>\n20%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nAerosmith – “Same Old Song and Dance” [III]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nAudioslave – “Cochise” [I]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nBuckethead – “Jordan” [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nDanzig – “Mother”<\/strong> [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nDead Kennedys – “Holiday in Cambodia” [III]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nDonnas – “Take It Off”<\/strong> [I]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nIron Maiden – “The Trooper”<\/strong> [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nLiving Colour – “Cult of Personality”<\/strong> [III]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nMegadeth – “Hangar 18” [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nMegadeth – “Symphony of Destruction” [I]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nPearl Jam – “Life Wasted” [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nSteve Ouimette – The Devil Went Down to Georgia” [III]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nTenacious D – “Metal” [III]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nThe Allman Brothers Band – “Jessica” [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nThe Romantics – “What I Like About You” [80s]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nThe Vapors – “Turning Japanese” [80s]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
63<\/td>\nWarrant – “Cherry Pie”<\/strong> [II]<\/td>\n17%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nAnthrax – “Caught in a Mosh”<\/strong> [80s]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nAvenged Sevenfold – “Beast and the Harlot”<\/strong> [II]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nBloc Party – “Helicopter” [III]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nCheap Trick – “Surrender” [II]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nDead Kennedys – “Police Truck” [80s]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nIncubus – “Stellar”<\/strong> [I]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nJimi Hendrix – “Spanish Castle Magic” [I]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nJudas Priest – “Electric Eye”<\/strong> [80s]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nKaiser Chiefs – “Ruby” [III]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nKrokus – “Ballroom Blitz” [80s]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nRatt – “Round and Round”<\/strong> [80s]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nStray Cats – “Rock This Town” [II]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
80<\/td>\nThe Rolling Stones – “Can’t You Hear Me Knockin'” [II]<\/td>\n13%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nA Flock of Seagulls – “I Ran (So Far Away)” [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nAnthrax – “Madhouse” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nBad Religion – “Infected” [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nBilly Squier – “Lonely Is the Night” [80s]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nBlue \u00d6yster Cult – “Godzilla”<\/strong> [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nDethklok – “Thunderhorse” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nDick Dale – “Misirlou” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nDisturbed – “Stricken” [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nEddie Money – “Shakin'” [80s]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nHeart – “Barracuda”<\/strong> [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nIron Maiden – “Wrathchild” [80s]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nJane\u2019s Addiction – “Stop!”<\/strong> [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nKillswitch Engage – “My Curse” [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nKiss – “Strutter” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nMot\u00f6rhead – “Ace of Spades” [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nMy Chemical Romance – “Dead!” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nPrimus – “John the Fisherman” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nQueens of the Stone Age – “No One Knows”<\/strong> [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nScandal – “The Warrior” [80s]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nSlipknot – “Before I Forget” [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nStevie Ray Vaughan – “Pride and Joy” [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nStevie Ray Vaughan – “Texas Flood” [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nStrong Bad – “Trogdor” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nSuicidal Tendencies – “Institutionalized” [II]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nThe Strokes – “Reptilia” [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nWhite Zombie – “Black Sunshine” [III]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
93<\/td>\nWhite Zombie – “Thunder Kiss \u201865\u2033<\/strong> [I]<\/td>\n10%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nAerosmith – “Last Child” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nAlice Cooper – “Billion Dollar Babies” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nAlice in Chains – “Them Bones”<\/strong> [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nCream – “Crossroads” [I]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nDragonForce – “Through the Fire and Flames”<\/strong> [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nFreezepop – “Less Talk More Rokk” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nHelmet – “Unsung” (Live)<\/strong> [I]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nIggy Pop and the Stooges – “Search and Destroy” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nMatchbook Romance – “Monsters” [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nMountain – “Mississippi Queen” [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nPoison – “Nothin’ But A Good Time”<\/strong> [80s]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nQueens of the Stone Age – “3’s & 7’s” [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nQuiet Riot – “Bang Your Head) Metal Health” [80s]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nRancid – “Salvation” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nReverend Horton Heat – “Psychobilly Freakout”<\/strong> [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nRise Against – “Prayer of the Refugee” [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nScorpions – “No One Like You” [80s]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nSenses Fail – “Can’t Be Saved” [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nSlayer – “Raining Blood”<\/strong> [III]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nThin Lizzy – “Bad Reputation” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
120<\/td>\nToadies – “Possum Kingdom” [II]<\/td>\n7%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nAccept – “Balls to the Wall” [80s]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nAll That Remains – “Six” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nBang Camaro – “Pus [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nBlack Label Society – “Fire It Up” [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nBrian Kahanek – “Gemini” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nDeep Purple – “Hush” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nEric Johnson – “Cliffs of Dover” [III]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nEvery Time I Die – “The New Black” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nExies – “Hey You”<\/strong> [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nExtreme – “Play With Me”<\/strong> [80s]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nGraveyard BBQ – “Cheat on the Church” [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nLacuna Coil – “Closer” [III]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nLamb of God – “Laid to Rest”<\/strong> [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nMatthew Sweet – “Girlfriend” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nMonkey Steals the Peach – “Guitar Hero” [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nOingo Boingo – “Only a Lad” [80s]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nRick Derringer – “Rock and Roll Hoochie Koo” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nSonic Youth – “Kool Thing” [III]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nSuperbus – “Radio Song” [III]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThat Handsome Devil – “Elephant Bones” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThe Acro-Brats – “Callout” [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThe Bags – “Caveman Rejoice” [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThe Butthole Surfers – “Who Was in My Room Last Night?” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThe Pretenders – “Tattooed Love Boys” [II]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThe Sleeping – “Don’t Hold Back” [III]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nThe Slip – “Even Rats” [I]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nWhite Lion – “Radar Love” [80s]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
141<\/td>\nWinger – “Seventeen” [80s]<\/td>\n3%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nAcro-BratsThe Acro-Brats – “Laughtrack” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nAn Endless Sporadic – “Impulse” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nAnarchy Club – “Behind the Mask” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nAnarchy Club – “Collide” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nArtilleryb – “The Breaking Wheel” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nBackyard Babies – “Minus Celsius” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nBlue \u00d6yster Cult – “Cities on Flame with Rock and Roll” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nBret Michaels Band – “Go That Far” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nBurning Brides – “Heart Full of Black” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nCount Zero – “Radium Eyes” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nCount Zero – “Sail Your Ship By” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nDie Toten Hosen – “Hier kommt Alex” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nDin – “Fly on the Wall” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nDope – “Nothing for Me Here” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nDrist – “Arterial Black” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nDrist – “Decontrol” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nFaster Pussycat – “Bathroom Wall” [80s]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nFreezepop – “Get Ready 2 Rokk” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nGallows – “In the Belly of a Shark” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nHellacopters – “I’m in the Band” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nH\u00e9roes del Silencio – “Avalancha” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nHonest Bob and the Factory-to-Dealer Incentives – “Hey” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nHonest Bob and the Factory-to-Dealer Incentives – “Soy Bomb” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nIn Flames – “Take This Life” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nLA Slum Lords – “Down ‘N Dirty” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nLimozeen – “Because, It’s Midnite” [80s]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nLions – “Metal Heavy Lady” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nMade in Mexico – “Farewell Myth” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nMade in Mexico – “Yes We Can” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nMegasus – “Red Lottery” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nNaast – “Mauvais Gar\u00e7on” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nNoble Rot – “Kicked to the Curb” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nOunce of Self – “Drink Up” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nPriestess – “Lay Down”<\/strong> [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nPrototype – “The Way It Ends” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nRevolverheld – “Generation Rock” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nScouts of St. Sebastian – “In Love” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nShadows Fall – “The Light That Blinds” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nShaimus – “All of This” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Amazing Crowns – “Mr. Fix It” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Breaking Wheel – “One for the Road” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Edgar Winter Group – “Frankenstein” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Fall of Troy – “F.C.P.R.E.M.I.X.” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Last Vegas – “Raw Dog” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Living End – “Carry Me Home” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Model Sons – “Story of My Love” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Neighborhoods – “Parasite” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Stone Roses – “She Bangs the Drums” [III]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Sword – “Freya”<\/strong> [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nThe Upper Crust – “Eureka, I’ve Found Love” [I]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nVagiant – “FTK” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nValient Thorr – “Fall of Pangea” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nVoivod – “X-Stream” [II]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
169<\/td>\nX – “Los Angeles” [80s]<\/td>\n0%<\/strong><\/td>\n\n\n\n\n
.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

What do you think? Are you happy with the final list? Will you be buying the game? Sound off in the comments section.<\/p>\n","protected":false},"excerpt":{"rendered":"

This post was originally published on Awesomeopolis.com on May 29, 2009. In our continuing coverage of the new “Guitar Hero: Smash Hits” game, we present to you the final results of our reader poll. We closed our reader poll today on what songs you, the reader, think should have made it it into the 48-song […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[42,80],"class_list":["post-1078","post","type-post","status-publish","format-standard","hentry","category-video-games","tag-awesomeopolis","tag-guitar-hero"],"_links":{"self":[{"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/posts\/1078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/comments?post=1078"}],"version-history":[{"count":5,"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/posts\/1078\/revisions"}],"predecessor-version":[{"id":1083,"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/posts\/1078\/revisions\/1083"}],"wp:attachment":[{"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/media?parent=1078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/categories?post=1078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.coreyhulse.com\/corey\/wp-json\/wp\/v2\/tags?post=1078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}